4 GRADA DRAGODID (short: DRAGODID) has been committed to the education and preservation of dry-stone wall heritage since 2007. This mission is accomplished through practical restoration workshops, research on the craft and its artisans, expert gatherings aimed at nurturing connections among practitioners, and the collection and mapping of both tangible and intangible elements of this tradition.
Following the initiative by the organization DRAGODID, the craft of dry-stone walling has been recognized as an intangible cultural heritage of Croatia since 2016 and was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2018.
Over the past seventeen years, DRAGODID has undertaken several initiatives to promote and preserve dry-stone wall heritage. Highlights include the publication of a handbook ‘Building in Stone’ (Gradimo u kamenu), hosting a summer heritage school on Mountain Učka, organizing the Croatian Championships in dry-stone walling, and creating the geoportal Suhozid.hr. This portal acts as a digital archive for Croatian dry-stone heritage, where users can share photos, locations, sketches, and data about dry-stone structures. It also provides a platform for individuals and communities involved in researching and practicing the craft, as well as for those preserving the traditions of former and current builders.
Handbook 'Building in Stone' (Gradimo u kamenu) was printed in 15.000 copies (4 editions)
With headquarters in Split and an office in Zagreb, the organization’s activities extend along the coast, hinterland, and islands. It collaborates with areas of natural or cultural heritage, museums, NGOs, municipalities, and tourist organizations to organize various restoration activities and promote the dry-stone walling tradition. As a result, the number of collaborators and dry-stone hotspots has been steadily growing from workshop to workshop.
Annual workshops are held at various locations, including the old village of Kotor in Crikvenica, Velo Grablje during the Lavender Festival on Hvar, Silba during post-season, the village of Dragodid above Komiža, Bakarske prezidi in Praputnjak, Stari Grad Plain on Hvar, Mrgari in Baška, Lake Vrana, and others.
Workshop, Vrdovo, Dinara, September, 2022. Photo by Oleg Miklić
Workshop, Gea Viva, Brač, May, 2023. Photo by Mislav Tovarac
A dry-stone wall is constructed by first finding stones in the surrounding area, which are either dug out or extracted from larger rocks. A stable and flat surface, cleaned of soil and vegetation, is then chosen for construction. If an existing wall is being repaired, unstable parts must be removed to reach a solid foundation.
The two-faced dry-stone wall (uduplo) technique, characterized by its parallel construction on both sides with the gap between filled with small stones, is the most commonly used. The stability is ensured by smaller gaps between the stones, and the upper row is constructed only after the row below has been leveled with fine stone pieces (škalja). For the foundations, corners, and top, more regular stones are selected, and stones can be roughly chiseled as needed.
In the construction of a supporting wall, the same principle is applied, but with the distinction that the supporting wall has one face with the other side usually being soil, whereas single dry-stone walls (unjulo) are constructed from a single vertical layer of stones
In 2023, the organization facilitated 37 educational workshops on dry-stone construction. Additionally, 23 volunteers contributed a collective total of 993 hours to a joint volunteer program focused on the restoration and construction of dry-stone walls. The organization hosted the 6th Croatian Dry Stone Wall Building Championship in Pag, in collaboration with local partners, with 11 teams comprising 43 participants from across the country. Throughout the year, dry- stone heritage was revitalized at 29 locations across Croatia, including islands, the coast, protected areas, and karst mountains. Funding for these activities was primarily secured from various European, national, and local projects, and supplemented by self-financing through the organization of educational workshops.
Josip Marohnić, An Unusual Visitor to the Beach at Supetar, 1979; Andrija Orlić, Dry-stone Walls, 1972; Andrija Orlić, Dry-stone, 1987. Museum of Arts and Crafts, Zagreb: MUO 57875, MUO 40491, MUO 40509